Blank Space.

"Cause darling, I'm a nightmare

dressed like a daydream."

-Taylor Swift.

If you are looking for an anthem with a sick beat and beyond clever/sarcastic lyrics, look no further. This jam will PUMP YOU UP.

Being my favorite off the 1989 record, Taylor just defines what cool sounds like in this hit. Like, there are just so many one-liners in this four-minute song than I know what to do with. As you can obviously tell, the one above is my favorite but don't get me wrong: that was competing with probably five others. 

Since, once again, Taylor's team knows how to take all of her music away unless it's bought (Spotify...come on!), I will leave you here with this video explaining how this song was born. 

You're welcome.

Style.

"You got that James Dean, daydream

look in your eyes.

And I got that red lip, classic

thing that you like."

-Taylor Swift.

This song just happens to be ever so fitting with our Want Wednesday theme. Even more so when I'll turn the Taylor Takeover up a notch and use her as our inspiration for the day.

Can you get more autumn than this? I mean, all bases are covered from the schoolgirl plaid skirt to the knee-high plum stockings. Of course, in honor of National Cat Day (FYI, I actually don't like cats at all), her greatest accessories just so happen to be a green handbag with her detective kitten. To think, this is her casual look. And she still kills the game in this classy getup.

Wonderland.

"And in the end,

in Wonderland,

we both went mad."

-Taylor Swift.

The continuum of Taylor week goes on with this bonus track that seems to be growing on me in great proportions. I feel like many of her songs on this album incorporate a piano that sounds just like a music box with a ballerina in the center spinning. Crazy idea, but it just reminds me of tutus and innocence. Nevertheless, this Tune for Tuesday brings all the elements of the perfect Alice-meets-romance mix-up. 

Plus, let's get real: we all know who this song is about. (Ahem, green eyes and Cheshire? Don't tell me I'm reading too much into it. It's obvious for those of us who are devoted to you-know-who.)

P.S. Sorry for the auto-tune of this track. It's the only YouTube link that works and sounds remotely close to the original. Like I said, Big Machine has some amazing people working for them to take down the copyrights.

Bad Blood.

"Band-aids don't fix bullet holes."

-Taylor Swift.

If you haven't heard, Taylor Swift pretty much owns this day. Actually, she has this whole week on her lockdown, to be honest. In honor of her "Tay-lurking" and the fact that I'm at the point of #RIPme (look up her Graham Norton interview), I'm going to honor her with lyrics from 1989.

While this one is rumored to be about my girl, Katy Perry, it brings out the tucked-away cheerleader drama within me. Chants and mean girls and insults, oh my!

I would post it on here, but Taylor's team is pro status at pulling down uncopyrighted videos of her songs on Youtube. So...go buy the album?

P.S. If you do, I'll be using a new song every day so you'll know what's going on. Well, somewhat. Plus, this album is straight up awesome. Bringing back the middle-school-sleepover-dramatics in all the right ways.

Platinum.

"What doesn't kill you

only makes you blonder."

-Miranda Lambert.

Just because sometimes a new song comes into your life for all the right reasons and turns into your theme song for everything.

Girl In A Country Song.

"Aw, y'all.

We ain't a cliche.

That ain't no way

to treat a lady."

-Maddie & Tae.

For the past few months, I've been on such a female empowerment kick. From listening to strong songs sung by the best women out there to watching college speech contests about sexism, I feel like the take-two revolution of feminism is coming into play. Living in Nashville, it's easy to take notice of the country music industry and how men are typically the big players in this town.

But not anymore.

Maddie & Tae may look their teenage selves, but they are well wise beyond their years. And they see the need for a revolution now more than ever. Their first-ever single, "Girl in a Country Song," came out swinging at all the bro country going around by telling them guys to shut their trap and appreciate women for more than things in cutoff shorts. By no mean are they hating the whole denim-cowboy boot-blonde complex of country, but it's nice to have a fresh perspective on the whole scheme of things.

I had the wonderful pleasure of talking to them for a bit and observing their bubbliness on the sidelines. For girls who are around the same age I am, it looks as if their future is bright and they have no intention on stopping their stomping on these grounds. They got it together and even more so, they've just got it.

Whyyawannabringmedown.

"Is it too much to give a damn

when I'm giving you one-hundred and ten."

-Kelly Clarkson.

I don't know whether to start off apologizing for the lack of a Tune Tuesday or turn this whole situation into a Throwback Thursday moment. Nonetheless, I'm in a bit of a squeeze at the moment with my homework and I'm just going to combine the two. (Procrastination is great, but also the devil at times.)

Kelly Clarkson will always be my go-to girl power hero. She was my first concert and she remains to be the artist to some of my absolute favorite songs. For example, I totally forgot about this jam-and-a-half until I needed something to bob my head to while I write this movie review. Boy, did it not disappoint in the slightest!

Trust me. If you ever need to scream out your feelings, Kelly has a song for that. If you want a sweet and soulful love song, Kelly's got your back. If you need a catchy pop hit that gets under your skin and into your veins, well, Kelly is there.

Long live Kelly Clarkson and her amazing versatility in music.